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We will hear several samples from different distances, both raw and processed. I can mix everything later in Cubase and I've been really happy with one exception. SKU: MSH-6 Category: Mic Capsule's Tags: H6, Mid-Side, MSH-6, Q8, Zoom. Perfect for podcasting, YouTube videos, voice-over, and so much more. It would actually have been a very good setup to compliment an additional xy pair. For instance you could place an xy pair over the conductors head of orchestra, and then an MS configuration in the audience, that way you can control how ambient the MS (room) ambience will be, without having to compromise any level from that position. It is what it is. The Zoom H6 also includes an XY mic capsule and hard case. Add All to Cart. In any event, it's not really a big deal, I'm just curious as to why this is happening. I just assumed it was hypercardioid or maybe it's just cardioid. Then in your DAW you make a copy of the figure 8 mic, reverse the phase on the copied track, and pan each hard left and right while keeping the mid mic in the center, and this gives you a wide stereo image that you can widen or make narrow by raising or lowering the level of the side mics. If your mic position is being favored on one side more than the other, then it doesn't really matter if you're using xy or Ms, both will be lopsided... although each method will allow for different means of post processing afterward. Edit: also, I wouldn't recommend a hyper card for the M mic. But that's good advice for future studio recordings where I have more control. I guess the next show I do I'll switch between the mid/side and X/Y mics in between bands and see which one I ultimately like better. Then you take a figure 8 pattern microphone and position it perpendicular to the other mic. I'm getting a strange result from the mid/side mic. For future, MS is much more useful when you want to control the balance of center to sides. New comments cannot be posted and votes cannot be cast, More posts from the audioengineering community. The Share KSM44, U87, etc. New. The MS Capsule contains dual mic elements – a forward-facing, unidirectional mic (the “Mid”) and a side-facing, bi-directional mic (the “Side”). Add to Cart. Get FRUIT SHAKE for KONTAKT for FREE , RODE BROADCASTER – Large Diaphragm Condenser Microphone for Broadcast, Podcast, & YouTube, IZOTOPE IRIS 2 – FREE FOR A LIMITED TIME – HUGE $149 VALUE, PreSonus Studio 1824c USB-C Audio Interface | REVEALED, MIC WARS | Small Diaphragm vs. Large Diaphragm Condenser Microphone, Brainworx ENGL E646 VS – All Recording Chains Demo, Get a LONGER USB Cable for your NATIVE INSTRUMENTS A-Series MIDI Controller, EVO CONTROL – Control Your EVO 4 On-Screen + Loopback Mixer, Plugin Alliance Plugin Subscription Bundle Comparison Table. The Zoom MSH-6 MS (Mid-Side) mic capsule Extend Your Options The MSH-6 allows you to do Mid-Side recording with your Zoom H5 or H6 Handy Recorder, or Zoom Q8 Handy Video Recorder. $407.98 + $4.99 Shipping. With the PA blasting away the back side of the fig-8 is seeing substantially less pressure than the front side. I recently bought a Zoom H6 to record the shows I mix at the venue where I work, and so far I've had really good results. Zoom H6 All Black 6-track Portable Recorder + $320.00 New + $4.99 Shipping. Buy It Now. THE USB CABLE IS TOO DAMN SHORT! It's not something I ever noticed before when using this technique in the studio. The sides of the Mid-Side mic are turned off for this test. All listings for this product. Products, practices, and stories about the profession or hobby of recording, editing, and producing audio. With the MSH-6, you can capture a fully mono-compatible stereo image that can be adjusted either during recording or in postproduction, making it a great choice for film and video applications. Most manufacturers of MIDI gear include a USB cable that is around 60, The latest audio and video news for the modern creator. I've used the mid/side technique in the studio before. Mid-Side Microphone Caspsule for H5, H6, Q8, U-44, and F8n The side mic track and it's copied reverse phase track are identical (except for the phasing) so I don't understand why one would end up being louder than the other. Mid-Side recording for film, video and television projects. Unfortunately, in the situation you described, an xy configuration would have been better since you could have just compensated the weak side up in volume to match the strong side. Does reversing the phase and hard panning them actually somehow preserve the imaging of the mic placement? Total Price. I wonder if this phenomenon is somehow related to the Zoom recorder? For instance, I use MS as my go to for acoustic guitar recording for pop tunes; strong center image, and the ability to precisely control the width, BUT you have to take care in positioning array so that it's balanced going in. The MS mic is a condenser microphone. Maybe the mic is not a true mid/side mic and is just labeled that way? It would be better to use a standard cardioid, and more ideally of matched multi Patten mics. It's probably a little lopsided in the studio. When I duplicate the track it should still be the exact same thing. Now the mid/side mic still records to a single stereo track, so once I import the audio from the H6 into Cubase I need to export that stereo track to dual mono to split the tracks. Have any of you had this issue with the Zoom H6 or with mid/side stereo miking in general? And of course I have the stereo mic option for the L&R tracks. It's very noticeable. It's harder to balance an off-center stereo image with ms since you haven't actually recorded a discreet left and right. WHAT'S INCLUDED. Only now when I reverse the phase on one of the side mic tracks it raises the volume by at least 5db or so. Out of stock. The MSH-6 mid-side stereo microphone capsule is compatible with the Zoom H5 and H6 Black Handy Recorders, U-44 Handy Audio Interface, Q8 Handy Video Recorder, and F8 MultiTrack Field Recorder, as well as the ECM-3 extension cable for Zoom microphone capsules. The Zoom MSH-6 comes standard with the H6 and can be used with the H5. Together with the onboard MS decoder provided by the H5 and H6, they capture a fully mono-compatible stereo image that can actually be adjusted after recording – ideal for film, video, and television projects. Welcome to “Mid-Side” recording, a whole new level of precision in your ability to shape sound. The Zoom H6 MS mic tested on voice for podcasting, YouTube videos, narration, voice-over, etc… The MS mic is a condenser microphone. The Zoom H6 is a self-contained recorder, but you can also use it as a USB microphone and an audio interface. Oh it's definitely getting more signal from one side of the figure 8 mic than the other, but both sides of the mic are still being recorded to just one side of the stereo track and the mid mic to the other side of that same stereo track. The Zoom H6 MS mic tested on voice for podcasting, YouTube videos, narration, voice-over, etc…. Well I can't change the polar pattern on the Zoom mic. The processed samples use iZotope Nectar 2. Buy It Now. Cookies help us deliver our Services. So after I split the tracks to dual mono and have the side mic track just in the center there should be equal volume on both sides because it's still just a mono track sourced from a fig8 mic. The reason I use the mid/side instead of the X/Y is because the console is to the right of the club against the side wall. This unit is a creators dream. Press J to jump to the feed. Using the mid/side mic with the Zoom H6 I recently bought a Zoom H6 to record the shows I mix at the venue where I work, and so far I've had really good results. This site uses affiliate links from several sources and may make a commission when our links are used. Add to Cart. By using our Services or clicking I agree, you agree to our use of cookies. I then copy the side mic, reverse the phase, and pan just like I have before.

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